My artistic practice is driven by a desire to observe, capture, and recompose the poetry of the living in material form. I am drawn to the evocative power of matter and the forms it assumes through contact with human gesture, natural phenomena, and the passage of time. Research-driven and process-based, my work unfolds primarily through sculpture, incorporating a range of media and transformative techniques.
At its core, my work seeks to suspend fleeting moments in space and time. Through meticulous and labor-intensive fabrication processes, I aim to crystallize transient states of matter. I embrace elements of alchemy and unpredictability, giving way to the agency of materials. In doing so, I attend to their capacity to carry and transmit the stories they hold, while preserving the memory of the metamorphic dynamics they bear witness to.
My recent research considers materials as vectors of social interaction and agents of transformation. Through this lens, I examine the relational and systemic structures that shape our societies, and the ways in which nature might help us imagine alternative futures. What can we learn from our environment to rethink our systems and communities? How might ecology inform forms of coexistence that move beyond dominant extractive and hierarchical logics? How can we render visible the often-invisible systems that shape how we inhabit the world? These questions underpin my current work.
My approach foregrounds sensitive, ecological, collective, and historical perspectives. Each composition emerges as a poetic transposition of our encounters with others and with the land, sketching a nuanced portrait of the multiple interactions that shape and constitute our environment. Through poetic abstraction, my work reflects on our relationship to the world and its phenomena.